Backgammon's Long Journey: From Persia to the Coffeehouse

A hand-carved wooden backgammon board with a tree of life design carved on the lid

Some games get invented once and forgotten. Backgammon is not one of them. It has been rolled, doubled, cursed at, and loved for so long that nobody can say exactly where it began — only that people have been racing pieces around a board and blaming the dice for five thousand years. Here is the short version of that long story.

A Board Older Than Writing

In the ruins of Shahr-e Sukhteh, the "Burnt City" in eastern Iran, archaeologists found a game board close to five thousand years old, along with dice and playing pieces carved from turquoise and agate. Nobody knows exactly what rules were played on it. But the shape of the thing — two rows of points, pieces racing toward home — is unmistakably a grandparent of the game we still play tonight.

That is the strange comfort of backgammon: the board in your living room and the board buried in the sand are doing the same job. Someone rolls something. Someone moves a piece. Someone hopes.

The Vizier Who Out-Thought a King

Persian legend gives the game a proper origin story, and it is a good one. In the sixth century, under the Sassanid king Khosrow I, an Indian raja is said to have sent the Persian court a game of chess as a riddle — solve the game, or pay tribute. The vizier Bozorgmehr worked out chess in a single night. Then, so the story goes, he answered with a riddle of his own: a game called nard, or Takht-e Nard, sent back to India along with the dice. The Indians could not unravel it.

The tale is recorded in the Middle Persian text known as the Wizarishn i Chatrang, the "Explanation of Chess," and later retold by the poet Ferdowsi in the Shahnameh. It is a legend, not a receipt — but it tells you something true about how seriously this region has always taken its board games. A game worth playing was worth a story.

Smoke, Dice, and the Ottoman Coffeehouse

From Persia the game traveled everywhere trade and empire went — through the Arab world, into Byzantium, across the Ottoman lands under the name tavla. And it found its real home not in palaces but in coffeehouses. For centuries, the sound of an Ottoman coffeehouse was half conversation, half the clatter of dice and the snap of wooden checkers landing on a board. Men sat for hours over one game, then another, the coffee going cold, nobody in a hurry.

That coffeehouse habit never really left the region. Walk through a market town anywhere from Yerevan to Istanbul today and you will still find a board out on a café table, two old friends hunched over it, a small crowd of opinions gathered behind them.

An English Name and an American Cube

The word "backgammon" itself is younger than the game by thousands of years — it shows up in English print around 1645, likely built from "back" and the old word "gamen," meaning game, a nod to pieces getting sent back to the start. The name is English. The soul of the game is much older and came from further east.

One more invention shaped the game into what tournament players use now: the doubling cube. It appeared in New York in the mid-1920s, in the gaming clubs of the city, and nobody kept a record of who thought of it first. What it did was simple and brilliant — it let either player raise the stakes mid-game, and in doing so it turned backgammon from a pleasant pastime into a real contest of nerve. A hundred years later, it is still standard equipment.

A Game That Never Really Stopped

In Armenia, backgammon never needed reviving — it simply never stopped being played. Under the name nardi, it is a school-yard game, a family-evening game, an argument between grandfather and grandson that has been running for forty years. That long, unbroken thread is part of why a board matters here as an object, not just equipment: a good one gets handed down.

We carve ours the way that history deserves — solid wood, cut and finished by hand, built to sit on a table for a lifetime rather than a season. If you want to see what that looks like, our hand-carved backgammon sets are a good place to start, and the Pomegranate Tree of Life set carries its own bit of Armenian symbolism on the lid, the way boards always have. For a home that wants the game out permanently, ready to play the moment someone walks by, a piece from our backgammon table collection does what the Ottoman coffeehouse table used to do — it just waits there, inviting the next game.

Five thousand years on, none of the essentials have changed. Two people, a board between them, dice that don't care who you are. That is a long time for a game to stay this good.